Personal details, background, activities, projects
A graduate of ESAA « Duperré » and the Ecole Nationale Supérieure des Arts Décoratifs (ENSAD Paris), Hélène Mirobent divides her time between teaching and painting.
Technique and approach :
Paper is used as a support and material for her artistic work, and is most often mounted on canvas. The gesture is essential: painting the paper, cutting into the colour…
In the quest for a new approach to light, the paper is patiently folded and glued, to reveal the vibration of light, the murmur of colours, the softness of a breath, the breath of eternity…
« The artist suggests dreamlike landscapes, creating colourful atmospheres in which she immerses visitors. She develops a new, original and personal way of creating. Paper ‘sculpted’ in this way becomes poetic when the lines and shapes conjure up the imagination for a jubilant choreographic game » (Aralya).
What does volunteering at Art Capital involve and what do you do?
My role at the exhibition: Assistant to the President, Daniel Gallais, for the guests of honour.
Once the guests of honour have been chosen by the Show’s president, we take care of all the administration. Contacting collectors, galleries and museums to arrange the loan of works, transport, insurance, etc. Writing texts about the artists for the catalogue and kakemonos. Listing the works and obtaining photos. On-site supervision of dispatching, checking that the works have been unpacked and repacked correctly. Have the labels made, and install them with the kakemonos containing texts about the artists (biography and approach) and the collectors.
I have to juggle my job as a teacher, a painter, organising the Salon and … the necessities of everyday life…
Why is this association-based art fair model important, what does it mean to you, what does it bring you, etc.?
It is very important to be able to bring a wide range of artistic creations to a broad public. The association allows a great deal of freedom in artistic expression, with quality as the only criterion, which means that we can escape from a more or less imposed cultural uniformity.
Art Salons based on associations are freer, allowing young emerging artists to exhibit their work far from the official circuits. In the same spirit of showcasing artistic diversity, the Salons d’Art also have a role to play in preserving the memory of ‘older’ artists, who young people will be delighted to discover.
The existence of these major art fairs is essential to the dynamism, vitality and emulation of the creative process, which can only take place within a framework of great diversity.